K. Imperial Fine Art is excited to present Colorways, a splashy foray into the world of pattern, color forms, and arrangements. A vibrant thread of bold hues and rich saturation connects the creations of Kaori Fukuyama, Lily Prince, Danielle Riede, and Ellen Weider. Beyond their shared vivid palette, this diverse collection of works are further linked by persistent repetition of shapes and undulating forms. The exhibit is on view by appointment from March 20th to – April 30 th, 2026. Join us for the Opening Reception on Saturday, April 11th 3-5 pm
The group exhibition introduces four artists new to K. Imperial Fine Art, and they bring with them unique perspectives stemming from a broad range of backgrounds and locations.
Japanese born Kaori Fukuyama is a multidisciplinary artist and educator based in San Diego, CA, working across site-specific installation, sculpture, and painting. She holds a degree in Landscape Architecture from the University of Oregon. Her background in environmental design continues to inform her artistic practice, which focuses on perception, with particular attention to light and its role in shaping awareness of color, form, and space. Fukuyama’s works are the most understated of this grouping, with their quiet strength of presence and impact coming from subtle gradients and shifts of color spread over exquisitely executed structures.
New York-based painter Lily Prince has her B.F.A. from the Rhode Island School of Design, her M.F.A. from Bard College, and studied at the Skowhegan School of Painting and Sculpture. Prince has exhibited widely both nationally and internationally. In 2020, she was awarded the prestigious Pollock-Krasner award in painting. For Prince, the arrangements used throughout her paintings are equivalent to sound–she sees patterns in nature as musical: symphonic, chaotic, expressive of a lonely sense of beauty. Her paintings portray the pulsating rhythms found in undulating hills, rippling fertile fields, echoing distant mountains, and shifting skies. There is a pulsating energy to her landscapes, a sense established by her repetitive mark-making and heightened by her selection of intense, contrasting colors.
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